BRINDAVANA SARANGA
*
AROHANAM-S R2 M1 P N2 S
*
AVAROHANAM- S N1 P M R2 S
*
TRY TO PLAY THE FOLLOWING NOTES
RE....................RE MA RE SA
*
NE2 SA.................SA NE PA.....
* * * *
PA..............NE2........RE...........SA.........
* * * *
NE2 SA RE MA..........................
* * *
MA RE SA............................
RE SA NE2 SA.........................
*
NE2 S RE...................S N PA...........
* * *
P N1 P MA....................PA NE2...........
* * * * *
SA............................................
*
RE MA PA....................................
PA MA RE SA..............................
*
RE MA RE SA..............................
* *
SA RE MA..................RE MA PA..........
PA NE1 PA MA.............................
RE PA MA RE..............................
NE2 SA...............................
*
NE2 SA SA RE RE MA...................
*
RE MA PA............. MA PA NE2...............
* *
SA.....................NE2 SA................
*
PA NE2 SA..................................
*
MA PA NE2 SA................................
*
*
RE MA PA NE2 SA..........................
*
SA RE MA PA NE2 SA........................
* *
NE2 SA RE.................................
SA NE1 PA MA RE...........................
*
R M P N2 SA..............................
* * * * *
N2 S RE..................RE MA RE..............
* * * *
RE SA...................PA NE2 RE...............
* * * * *
NE2 SA...................NE2 S RE.................
* * * * * *
R M R S N2 SA..........................
*
SA N1 PA...................................
* * * *
PA N2 S RE..................S S N1 PA...........
* * *
NE1 P MA..................NE2 S RE S N PA........
P M N1 PA............................
R M P M R SA...........................
R M R SA...............N2 S R M R SA...............
*
SA NE1 PA................PA NE2..................
* * * * *
RE........................SA...................
* *
THERE ARE BOTH N1 AND N2 IN THIS RAGA.THIS IS ALSO
A BEAUTIFUL RAG TO PLAY. JUST PLAY THE NOTES SLOWLY
AND STEADILY ATLEAST FOR 10 TIMES.
SA CL CL OP OP CL CL CL OP
RE CL OP OP OP CL CL CL OP
MA OP CL CL CL CL CL CL OP
PA CL CL CL CL CL OP OP OP
NE1 CL CL CL OP OP OP CL OP
NE2 CL CL H.CL OP OP OP CL OP
*
SA (HIGH) CL CL OP OP OP OP CL OP.
Tuesday, August 14, 2007
Saturday, August 11, 2007
Entharo
ENTHARO MAHANUBAVA SRI RAGAM S R M P N S
S N P M R G1 R S
1.;; SA RE REGR SA; ;SNSNPA NE ;SA ; NSAN
2 ;; SARE REGR SA; ;NSRSNP NE ;SA; NSAN
3 ;; SARE PMREGRSA ; NSRSNP NE ;SA; NSAN
4 ;; SARE rgreSANSrgreSA NSRSNP NE ;SA; NSAN
A ;; SNSA RMAR RMPA PAMAPMR RE,G GRRS NSAN
5 ;; SARE PMREGRSA ; NSRSNPNE; SARSNSAN
B ;; SNSA RMARRMPM PAPMPNSN PMMP MRRG RS SN
6 ;; SARE PMREGRSA; NSRSNP NE ;SARSNSAN
C ;; SNSA RMARRMPM PAMPNPNS SNPMRGRS NSAN
7 ;; SARE PMREGRSA ; NSRSNP NE;SA RSNSA N
D ;; SNSA RMARRMPM PNPNS NSRE sa,r ne,s pa,n RE,M
8 ;; SARE PMRE GRSA ; NSRSNPNE; SARSNSAN
E ;; SNSA RMARRMPM PNPNSNSRE srsa nsne pnpa mpma rgreSN
;; SARE PMREGRSA ; NSRS NPNE ;SA ;
S N P M R G1 R S
1.;; SA RE REGR SA; ;SNSNPA NE ;SA ; NSAN
2 ;; SARE REGR SA; ;NSRSNP NE ;SA; NSAN
3 ;; SARE PMREGRSA ; NSRSNP NE ;SA; NSAN
4 ;; SARE rgreSANSrgreSA NSRSNP NE ;SA; NSAN
A ;; SNSA RMAR RMPA PAMAPMR RE,G GRRS NSAN
5 ;; SARE PMREGRSA ; NSRSNPNE; SARSNSAN
B ;; SNSA RMARRMPM PAPMPNSN PMMP MRRG RS SN
6 ;; SARE PMREGRSA; NSRSNP NE ;SARSNSAN
C ;; SNSA RMARRMPM PAMPNPNS SNPMRGRS NSAN
7 ;; SARE PMREGRSA ; NSRSNP NE;SA RSNSA N
D ;; SNSA RMARRMPM PNPNS NSRE sa,r ne,s pa,n RE,M
8 ;; SARE PMRE GRSA ; NSRSNPNE; SARSNSAN
E ;; SNSA RMARRMPM PNPNSNSRE srsa nsne pnpa mpma rgreSN
;; SARE PMREGRSA ; NSRS NPNE ;SA ;
Thursday, August 9, 2007
Base Notes
BASE NOTES
1 2 3 4 5 6 7 8 8
1. Sa cl cl op op cl cl cl o
2. Ne CL CL CL OP OP OP CL O
*
3. Da CL CL CL CL OP OP CL O
*
4. Pa cl cl cl cl cl op op o
*
5. Ma cl cl cl cl cl cl op o
*
6. Ga cl cl cl cl cl cl cl o
1 2 3 4 5 6 7 8 8
1. Sa cl cl op op cl cl cl o
2. Ne CL CL CL OP OP OP CL O
*
3. Da CL CL CL CL OP OP CL O
*
4. Pa cl cl cl cl cl op op o
*
5. Ma cl cl cl cl cl cl op o
*
6. Ga cl cl cl cl cl cl cl o
Wednesday, August 8, 2007
Aboghi krithi
PALLAVI IN brindhar.blogspot.com
contd from there.
ANUPALLAVI
1 DA ; MA DA SA DA SA ; SA DA SA ;
2 RE DA SA ;
3 GA RE SA ;
4 DS DA MA DA SA DA SA ; RE GA RE ;
5 RE GA MA ;
6 GA ; GA RE SA DA MA GA RA GA MA DA
7 GA RE SA DA SA DA MA GA MA GA RE SA
P RE ; GA RE SA DA SA ; DA SA RE GA
RE ; ; ; ; ; SA ; ; ; ; '
CHARANAM
1 MA ; GA MA GA RE SA DA SA ; RE GA
2 MA ; DA MA GA RE SA DA SA ; RE GA
3 MA ; DA SA DA MA GA RE SA RE SA ;
4 RE GA MA ; DA MA GA RE SA RE GA MA
5 DA ; DA DA MA DA MA GA RE SA RE ;
SA DA GA RE SA RE DA SA RE GA MA ;
GA RE RE SA SA DA SA DA MA GA RE SA
P RE ; GA RE SA DA SA ; DA SA RE GA
RE ; ; ; ; ; SA ; ; ; ; ;
contd from there.
ANUPALLAVI
1 DA ; MA DA SA DA SA ; SA DA SA ;
2 RE DA SA ;
3 GA RE SA ;
4 DS DA MA DA SA DA SA ; RE GA RE ;
5 RE GA MA ;
6 GA ; GA RE SA DA MA GA RA GA MA DA
7 GA RE SA DA SA DA MA GA MA GA RE SA
P RE ; GA RE SA DA SA ; DA SA RE GA
RE ; ; ; ; ; SA ; ; ; ; '
CHARANAM
1 MA ; GA MA GA RE SA DA SA ; RE GA
2 MA ; DA MA GA RE SA DA SA ; RE GA
3 MA ; DA SA DA MA GA RE SA RE SA ;
4 RE GA MA ; DA MA GA RE SA RE GA MA
5 DA ; DA DA MA DA MA GA RE SA RE ;
SA DA GA RE SA RE DA SA RE GA MA ;
GA RE RE SA SA DA SA DA MA GA RE SA
P RE ; GA RE SA DA SA ; DA SA RE GA
RE ; ; ; ; ; SA ; ; ; ; ;
valaji pallavi
ABOGHI
S R G1 M D S
S D M G1 R S
1 RE ; GA RE SA DA SA ; DA SA RE GA
2 RE ; GA RE SA DA SA ; S D SA RE GA
3 MA GA GA RE SA DA SA ; RE GA MA DA
4 SA DA DA MA GA RE SA ; RE GA MA DA
5 SA RS DA MA GA RE SA ; RE GA MA DA
A SA ; RE SA DA ; SA DA MA GA RE SA
6 RE ; GA RE SA DA SA ; DA SA RE GA
RE ; ; ; ; ; SA ; ; ; ; ;
S R G1 M D S
S D M G1 R S
1 RE ; GA RE SA DA SA ; DA SA RE GA
2 RE ; GA RE SA DA SA ; S D SA RE GA
3 MA GA GA RE SA DA SA ; RE GA MA DA
4 SA DA DA MA GA RE SA ; RE GA MA DA
5 SA RS DA MA GA RE SA ; RE GA MA DA
A SA ; RE SA DA ; SA DA MA GA RE SA
6 RE ; GA RE SA DA SA ; DA SA RE GA
RE ; ; ; ; ; SA ; ; ; ; ;
Tuesday, August 7, 2007
Subha Pandhuvarali
Arohanam = S R1 G1 M2 P D1 N2 S
Avarohanam = s N2 D1 P M2 G1 R1 S
R,G,M,D AND N ARE HALF NOTES.
BASIC LESSONS IN SUBHA PANDHUVARALI
1. S R1 - R1 S
2. S R1 G1 G1 R1 S
3. S R1 G1 M2 M2 G1 R1 S
4. S R1 G1 M2 P P M2 G1 R1 S
5. S R1 G1 M2 P D1 D1 P M2 G1 R1 S
6. S R1 G1 M2 P D1 N2 N2 D1 P M2 G1 R1 S
7. S R1 G1 M2 P D1 N2 S S N2 D1 P M2 G1 R1 S.
PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com
Avarohanam = s N2 D1 P M2 G1 R1 S
R,G,M,D AND N ARE HALF NOTES.
BASIC LESSONS IN SUBHA PANDHUVARALI
1. S R1 - R1 S
2. S R1 G1 G1 R1 S
3. S R1 G1 M2 M2 G1 R1 S
4. S R1 G1 M2 P P M2 G1 R1 S
5. S R1 G1 M2 P D1 D1 P M2 G1 R1 S
6. S R1 G1 M2 P D1 N2 N2 D1 P M2 G1 R1 S
7. S R1 G1 M2 P D1 N2 S S N2 D1 P M2 G1 R1 S.
PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com
shankarabaranam
this is 29th Melakartha ragam.
AROHANAM - S R G M D N2 S
AVAROHANAM - S N2 D P M G R S
NE2 = HALF NOTE
BASIC LESSONS IN SHANKARABARANAM
1. S R - R S
2. S R G G R S
3. S R G M M G R S
4. S R G M P P M G R S
5. S R G M P D D P M G R S
6. S R G M P D N2 N2 D P M G R S
7. S R G M P D N2 S S N2 D P M G R S.
PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com
AROHANAM - S R G M D N2 S
AVAROHANAM - S N2 D P M G R S
NE2 = HALF NOTE
BASIC LESSONS IN SHANKARABARANAM
1. S R - R S
2. S R G G R S
3. S R G M M G R S
4. S R G M P P M G R S
5. S R G M P D D P M G R S
6. S R G M P D N2 N2 D P M G R S
7. S R G M P D N2 S S N2 D P M G R S.
PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com
Special lesson in harikamboji
BASIC LESSONS IN HARIKAMBOJI
1. S R - R S
2. S R G G R S
3. S R G M M G R S
4. S R G M P P M G R S
5. S R G M P D D P M G R S
6. S R G M P D N N D P M G R S
7. S R G M P D N S S N D P M G R S.
PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com
1. S R - R S
2. S R G G R S
3. S R G M M G R S
4. S R G M P P M G R S
5. S R G M P D D P M G R S
6. S R G M P D N N D P M G R S
7. S R G M P D N S S N D P M G R S.
PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com
Saturday, August 4, 2007
KUNTHALA VARALI
* *
1 SA MA SAMA PADA DA; DA PA SSND NDDP MA;
2 SAMA SAMA PADA DA; NEDA SSND NDDP MA;
3 SAMA PADA NEDA SNDP MA ; MA; PDND DPPM
4 SAMA SAMA PADA DA; DAPA SSND NDDP MA;
5 SAMA PADA NEDA SNDP MA ; MA; SA ; SA ;
* *
ANUPAALLAVI
* * * * *
MANE DASA NEDA SA; SA; SA ; SA; SA;
MANE DASA NEDA SA; SA,D NE,P DA,P MA;
MANE DASA NEDA SA; MASA MASA SDSD NDDA
* * * * * * *** **
MAMA MAMA SASA SASA MA; SA; SNDP MA;
* ** ** ** ** * * *
MAMA MAMA SASA SASA MA,M SA; SNDP MA;
GO TO 4 OF PALLAVI
* *
1 SA MA SAMA PADA DA; DA PA SSND NDDP MA;
2 SAMA SAMA PADA DA; NEDA SSND NDDP MA;
3 SAMA PADA NEDA SNDP MA ; MA; PDND DPPM
4 SAMA SAMA PADA DA; DAPA SSND NDDP MA;
5 SAMA PADA NEDA SNDP MA ; MA; SA ; SA ;
* *
ANUPAALLAVI
* * * * *
MANE DASA NEDA SA; SA; SA ; SA; SA;
MANE DASA NEDA SA; SA,D NE,P DA,P MA;
MANE DASA NEDA SA; MASA MASA SDSD NDDA
* * * * * * *** **
MAMA MAMA SASA SASA MA; SA; SNDP MA;
* ** ** ** ** * * *
MAMA MAMA SASA SASA MA,M SA; SNDP MA;
GO TO 4 OF PALLAVI
Thursday, August 2, 2007
thattu varisai -effective fingering exercise
DHATTU SET2.
S M G M R G S R S G R G S R G M
R P M P G M R G R M G M R G M P
G D P D M P G M G P M P G M P D
M N D N P D M P M D P D M P D N
* * *
P S N S D N P D P N D N P D N S
* * * *
S P D P N D S N S D N D S N D P
N M P M D P N D N P D P N D P M
D G M G P M D P D M P M D P M G
P R G R M G P M P G M G P M G R
M S R S G R M G M R G R M G R S .
ENDS.*-HIGH NOTE
PRACTISE IN HARIKHAMBOJI THE ABOVE NOTES(ALL OPEN NOTES)
DHATTUSET is the most important lesson in the basic lessons.in learning the art of flute playing,it paves the way to adifferent stage.
Way of playing: this particular lesson shall be played in many ways. To start, play the lesson with 2 notes in one blowing. If you can play 2 notes freely, start with 4 notes in a blowing. After playing 4 notes in a blowing, try to play 8 notes in a blowing. Gradually you can play 8 notes in a blowing. Afterwards you play one line in one blowing. Later, you try to play 2 lines in one blowing. If you play this regularly, you will start to have enough power to play 5 lessons in one blowing. It will take sometime to play perfectly.
ADVANTAGES:THIS IS THE ONLY LESSON WHICH GIVES EVERYTHING IN PLAYING FLUTE.
1.CONTINUITY:IN THE BEGINNING, it will be a problem to play many notes in one blowing. But time goes on, you will get that. After this lesson, you can play about 100 notes in one blowing.2.once you concentrate on the blowing to play very long, automatically,the speed picks up. You will play very fast without strain. You will get fluency in fingering.3.this lesson is arranged in such away that you have to apply different force for different notes, the control over your blowing develops.
After this lesson, surely,you will be coming very close to music.
. Practise the above dattuvarisai atleast for 50 times and mail me back for any doubt.
!
k.t.dasarathy
S M G M R G S R S G R G S R G M
R P M P G M R G R M G M R G M P
G D P D M P G M G P M P G M P D
M N D N P D M P M D P D M P D N
* * *
P S N S D N P D P N D N P D N S
* * * *
S P D P N D S N S D N D S N D P
N M P M D P N D N P D P N D P M
D G M G P M D P D M P M D P M G
P R G R M G P M P G M G P M G R
M S R S G R M G M R G R M G R S .
ENDS.*-HIGH NOTE
PRACTISE IN HARIKHAMBOJI THE ABOVE NOTES(ALL OPEN NOTES)
DHATTUSET is the most important lesson in the basic lessons.in learning the art of flute playing,it paves the way to adifferent stage.
Way of playing: this particular lesson shall be played in many ways. To start, play the lesson with 2 notes in one blowing. If you can play 2 notes freely, start with 4 notes in a blowing. After playing 4 notes in a blowing, try to play 8 notes in a blowing. Gradually you can play 8 notes in a blowing. Afterwards you play one line in one blowing. Later, you try to play 2 lines in one blowing. If you play this regularly, you will start to have enough power to play 5 lessons in one blowing. It will take sometime to play perfectly.
ADVANTAGES:THIS IS THE ONLY LESSON WHICH GIVES EVERYTHING IN PLAYING FLUTE.
1.CONTINUITY:IN THE BEGINNING, it will be a problem to play many notes in one blowing. But time goes on, you will get that. After this lesson, you can play about 100 notes in one blowing.2.once you concentrate on the blowing to play very long, automatically,the speed picks up. You will play very fast without strain. You will get fluency in fingering.3.this lesson is arranged in such away that you have to apply different force for different notes, the control over your blowing develops.
After this lesson, surely,you will be coming very close to music.
. Practise the above dattuvarisai atleast for 50 times and mail me back for any doubt.
!
k.t.dasarathy
Subscribe to:
Posts (Atom)