krithi

NAGAS WARALI - GARUDA GAMANA

S G M P D S - SD P M G S

ALL OPEN NOTES PALLAVI

SA DA PA MA GA SA DA SA MA GA MA ;

;MG MA PA ; DA PA ; PA ; PM PD

2 SA DA PA MA GA SA DA SA MA GA MA ;

; MG MA PA ; DA SA ; ; SD PM PD

3 SA DA PD SD PM GS DA SA MA GA MA ;

; MG MA PA ; DA PD SA DA SD PM PD

A SA DA PA MP MG SA DS GM GM PM GA ;

MP MG SA DS GM PA PM PD SA SD PM PD
REPEAT 3
B SA DA PA MP MG SA DS GM GM PM GA ;

MP MG SA GM GM PM PD PD SD SG SG MG

5 SA DA PA MA GA SA DA SA MA GA MA ;

; MG MA PA ; DA PA ; ; ; ; ;


ANUPALLA VI

1 PA DA SA DA SA ; SA ; SA ; SD PM

2 PA DA SA DA SA ; DA SA ; GA MA GA

SA GA SA ; SA DA PA MA ; PM PA DA

3 PA DA SA DA SD PM PD SD SA DS GM GA

SG MG SA ; SA DA PA MA ; PM PA DA

4 PA DA SA DA SA ; DA SA ; GA MA GA

MG SG SD PM PD SA DP MG SA MG M PAD

P SA DA PD SD PM GS DA SA MA GA MA ;

; MG MA PA ; DA PA ; ; ; ; ;

CHARANAM,

1 PA PA PA MP MA GA PM PD PA DA PA ;

PM PD PA MP M A GA DS GM GM PM GA ;

2 PA PA PA MP MA GA PM PD SA DA PA ;

PM PD PA MP MA GA DS GM GM PM GA ;

3 DA SD PM PD SD SA DS GM GS GA SA ;

GO TO P IN ANUPALLAVI

spiritual wisdom

human birth is a valuable asset for every individual who should utilise this opportunity to explore the meaning and purpose of life.true learning is manifest when one pursues to understand the nature of one's soul,body and the supreme being.scholarship in various other fields becomes a useless possession if this knowledge is not gained

courtesy-the hindu

one ground plot for property development

2400 square feet vacant plot is available in sri vari nagar,singaperumal koil bus stand.it is situated near ford complany and just 3 kms away from mahindra city.
interested people may mail my id ktdasarat99@yahoo.com.for details.it is in the south of chennai city just 35 minutes drive from chennai airport.

bowli rag

BOWLI

SA SA REGA; GAGA ;; ;; ;; ;;

SA RE GAPA DAPA ;; ;; ;; ;;

SASA RAGA; GAGA GARE GAPA DAPA

GDA, PA;DA GA, P GRSA SSPA PA,D SA SRESA

SA, SA RRGA GAGA GPA GRE GA PA; DAPA

GDA PA;DA PA;P GRSA SSPA PA, D SA SRESA

SSD PA, DA SA r GA GAGA GPA GRE GAPA DAPA

GA PdSA dSdSdS PPAGA GDAPA, DA GAP GRSA

SSD PAD SRGA; GAGA GdP GRE GA PA ds PAPA

GGA pDsa dSdSDA PPAGA GDA PA DA GA PGRSA

SRGRSD PDSRGA GAGA Gpdp GREGA PAdS DAPA

GA pds A; dsds DA PPAGA GDA DA, DA GA, PGARE

GA; ;; ;; ;; RE, ;; SA ;;;


ANUPALLAVI

GPA GREGA PA;;DP PPGA; DAPA PAP PGA;

;GPA DSA SNNE, D DAPA GPDAPA DA; ;;

GPA GREGA PA;; DP PPGA; DAPA PAP PGA;

;GPA DSA SNNE, D DAPA GPDAPA DA; ;;

GdP GREGA PA;; DP PPGA; DAPA PAPPGA;

GPA DSA SNNE, D DAPA GPDAPA DA; ;;;

;PGA PDA SASA SASA; SGAR SASARE SRGA;

; GREG GRSSDP GPDA PDA SNEDA PA GRESA

PGA PDA SASA SASA; SGAR SASARE GRGA

; GREG GRSSDP GPDA PDA SNDPA PA, GRESA

SARG RSD SRGA; GAGA Gpdp GRE GA Pads DAPA

GA pd SA; dsds DA PPAGA GDA PA,DA GA, PGARE

GA, ;; ;; ;; RE; ;; SA; ;;


CHARANAM

; RSAR GA; GA GAGA GA REGPA PA;; PA

GPAD PA; PA GA; GA, PDPPA DA; Pdp GRS

RSAR GA;GA GAGA GA REGPA PA;; PA

GPAD PA;PA GA; GA PDAPA DA Pdp gpgrGr

simple blowing technique

please try to play the following phrases in one blow

1.SA................................

2.SARE................................

3.SAREGA...............................

4.SAREGAMA.............................

5.SAREGAMAPA............................

6.SAREGAMAPADA...........................

7.SAREGAMAPADANE.........................

8.SAREGAMAPADANESA........................

9.SA.....................................

10.SANE..................................

11.SANEDA...............................

12.SANEDAPA.............................

13.SANEDAPAMA............................

14.SANEDAPAMAGA..........................

15.SANEDAPAMAGARE........................

16.SANEDAPAMAGARESA........................

FOR ANY DOUBT,PLEASE MAIL ME UR DOUBTS

ktdasarat99@yahoo.com

brindhavana saranga-alapana

BRINDAVANA SARANGA
*
AROHANAM-S R2 M1 P N2 S

*
AVAROHANAM- S N1 P M R2 S
*


TRY TO PLAY THE FOLLOWING NOTES

RE....................RE MA RE SA
*


NE2 SA.................SA NE PA.....
* * * *


PA..............NE2........RE...........SA.........
* * * *



NE2 SA RE MA..........................
* * *


MA RE SA............................



RE SA NE2 SA.........................
*



NE2 S RE...................S N PA...........
* * *



P N1 P MA....................PA NE2...........
* * * * *


SA............................................
*



RE MA PA....................................



PA MA RE SA..............................
*


RE MA RE SA..............................
* *



SA RE MA..................RE MA PA..........



PA NE1 PA MA.............................



RE PA MA RE..............................



NE2 SA...............................
*



NE2 SA SA RE RE MA...................
*



RE MA PA............. MA PA NE2...............


* *
SA.....................NE2 SA................


*
PA NE2 SA..................................


*
MA PA NE2 SA................................
*


*
RE MA PA NE2 SA..........................


*
SA RE MA PA NE2 SA........................


* *
NE2 SA RE.................................



SA NE1 PA MA RE...........................


*
R M P N2 SA..............................


* * * * *
N2 S RE..................RE MA RE..............


* * * *
RE SA...................PA NE2 RE...............


* * * * *
NE2 SA...................NE2 S RE.................


* * * * * *
R M R S N2 SA..........................


*
SA N1 PA...................................


* * * *
PA N2 S RE..................S S N1 PA...........


* * *
NE1 P MA..................NE2 S RE S N PA........



P M N1 PA............................



R M P M R SA...........................



R M R SA...............N2 S R M R SA...............
*



SA NE1 PA................PA NE2..................
* * * * *



RE........................SA...................
* *

THERE ARE BOTH N1 AND N2 IN THIS RAGA.THIS IS ALSO
A BEAUTIFUL RAG TO PLAY. JUST PLAY THE NOTES SLOWLY
AND STEADILY ATLEAST FOR 10 TIMES.

SA CL CL OP OP CL CL CL OP


RE CL OP OP OP CL CL CL OP


MA OP CL CL CL CL CL CL OP


PA CL CL CL CL CL OP OP OP

NE1 CL CL CL OP OP OP CL OP

NE2 CL CL H.CL OP OP OP CL OP

*
SA (HIGH) CL CL OP OP OP OP CL OP.

Entharo

ENTHARO MAHANUBAVA SRI RAGAM S R M P N S

S N P M R G1 R S

1.;; SA RE REGR SA; ;SNSNPA NE ;SA ; NSAN

2 ;; SARE REGR SA; ;NSRSNP NE ;SA; NSAN

3 ;; SARE PMREGRSA ; NSRSNP NE ;SA; NSAN

4 ;; SARE rgreSANSrgreSA NSRSNP NE ;SA; NSAN

A ;; SNSA RMAR RMPA PAMAPMR RE,G GRRS NSAN

5 ;; SARE PMREGRSA ; NSRSNPNE; SARSNSAN

B ;; SNSA RMARRMPM PAPMPNSN PMMP MRRG RS SN

6 ;; SARE PMREGRSA; NSRSNP NE ;SARSNSAN


C ;; SNSA RMARRMPM PAMPNPNS SNPMRGRS NSAN

7 ;; SARE PMREGRSA ; NSRSNP NE;SA RSNSA N

D ;; SNSA RMARRMPM PNPNS NSRE sa,r ne,s pa,n RE,M

8 ;; SARE PMRE GRSA ; NSRSNPNE; SARSNSAN

E ;; SNSA RMARRMPM PNPNSNSRE srsa nsne pnpa mpma rgreSN

;; SARE PMREGRSA ; NSRS NPNE ;SA ;

Base Notes

BASE NOTES
1 2 3 4 5 6 7 8 8
1. Sa cl cl op op cl cl cl o


2. Ne CL CL CL OP OP OP CL O
*


3. Da CL CL CL CL OP OP CL O
*


4. Pa cl cl cl cl cl op op o
*



5. Ma cl cl cl cl cl cl op o
*



6. Ga cl cl cl cl cl cl cl o

Aboghi krithi

PALLAVI IN brindhar.blogspot.com

contd from there.

ANUPALLAVI

1 DA ; MA DA SA DA SA ; SA DA SA ;


2 RE DA SA ;


3 GA RE SA ;


4 DS DA MA DA SA DA SA ; RE GA RE ;


5 RE GA MA ;


6 GA ; GA RE SA DA MA GA RA GA MA DA


7 GA RE SA DA SA DA MA GA MA GA RE SA


P RE ; GA RE SA DA SA ; DA SA RE GA


RE ; ; ; ; ; SA ; ; ; ; '



CHARANAM


1 MA ; GA MA GA RE SA DA SA ; RE GA


2 MA ; DA MA GA RE SA DA SA ; RE GA


3 MA ; DA SA DA MA GA RE SA RE SA ;


4 RE GA MA ; DA MA GA RE SA RE GA MA


5 DA ; DA DA MA DA MA GA RE SA RE ;


SA DA GA RE SA RE DA SA RE GA MA ;


GA RE RE SA SA DA SA DA MA GA RE SA


P RE ; GA RE SA DA SA ; DA SA RE GA


RE ; ; ; ; ; SA ; ; ; ; ;

valaji pallavi

ABOGHI
S R G1 M D S

S D M G1 R S


1 RE ; GA RE SA DA SA ; DA SA RE GA


2 RE ; GA RE SA DA SA ; S D SA RE GA


3 MA GA GA RE SA DA SA ; RE GA MA DA


4 SA DA DA MA GA RE SA ; RE GA MA DA


5 SA RS DA MA GA RE SA ; RE GA MA DA


A SA ; RE SA DA ; SA DA MA GA RE SA


6 RE ; GA RE SA DA SA ; DA SA RE GA


RE ; ; ; ; ; SA ; ; ; ; ;

Subha Pandhuvarali

Arohanam = S R1 G1 M2 P D1 N2 S

Avarohanam = s N2 D1 P M2 G1 R1 S


R,G,M,D AND N ARE HALF NOTES.

BASIC LESSONS IN SUBHA PANDHUVARALI


1. S R1 - R1 S

2. S R1 G1 G1 R1 S

3. S R1 G1 M2 M2 G1 R1 S

4. S R1 G1 M2 P P M2 G1 R1 S

5. S R1 G1 M2 P D1 D1 P M2 G1 R1 S

6. S R1 G1 M2 P D1 N2 N2 D1 P M2 G1 R1 S

7. S R1 G1 M2 P D1 N2 S S N2 D1 P M2 G1 R1 S.

PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com

shankarabaranam

this is 29th Melakartha ragam.

AROHANAM - S R G M D N2 S


AVAROHANAM - S N2 D P M G R S


NE2 = HALF NOTE
BASIC LESSONS IN SHANKARABARANAM


1. S R - R S

2. S R G G R S

3. S R G M M G R S

4. S R G M P P M G R S

5. S R G M P D D P M G R S

6. S R G M P D N2 N2 D P M G R S

7. S R G M P D N2 S S N2 D P M G R S.

PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com

Special lesson in harikamboji

BASIC LESSONS IN HARIKAMBOJI


1. S R - R S

2. S R G G R S

3. S R G M M G R S

4. S R G M P P M G R S

5. S R G M P D D P M G R S

6. S R G M P D N N D P M G R S

7. S R G M P D N S S N D P M G R S.

PRACTISE EACH OF THE ABOVE PHRASES ATLEAST 50 TIMES.
WITH BEST WISHES
K.T.DASARATHY. ktdasarat99@yahoo.com

KUNTHALA VARALI
* *
1 SA MA SAMA PADA DA; DA PA SSND NDDP MA;

2 SAMA SAMA PADA DA; NEDA SSND NDDP MA;

3 SAMA PADA NEDA SNDP MA ; MA; PDND DPPM

4 SAMA SAMA PADA DA; DAPA SSND NDDP MA;

5 SAMA PADA NEDA SNDP MA ; MA; SA ; SA ;
* *


ANUPAALLAVI

* * * * *
MANE DASA NEDA SA; SA; SA ; SA; SA;


MANE DASA NEDA SA; SA,D NE,P DA,P MA;


MANE DASA NEDA SA; MASA MASA SDSD NDDA

* * * * * * *** **
MAMA MAMA SASA SASA MA; SA; SNDP MA;

* ** ** ** ** * * *
MAMA MAMA SASA SASA MA,M SA; SNDP MA;

GO TO 4 OF PALLAVI

thattu varisai -effective fingering exercise

DHATTU SET2.
S M G M R G S R S G R G S R G M

R P M P G M R G R M G M R G M P

G D P D M P G M G P M P G M P D

M N D N P D M P M D P D M P D N

* * *
P S N S D N P D P N D N P D N S

* * * *
S P D P N D S N S D N D S N D P

N M P M D P N D N P D P N D P M


D G M G P M D P D M P M D P M G


P R G R M G P M P G M G P M G R


M S R S G R M G M R G R M G R S .
ENDS.*-HIGH NOTE

PRACTISE IN HARIKHAMBOJI THE ABOVE NOTES(ALL OPEN NOTES)

DHATTUSET is the most important lesson in the basic lessons.in learning the art of flute playing,it paves the way to adifferent stage.

Way of playing: this particular lesson shall be played in many ways. To start, play the lesson with 2 notes in one blowing. If you can play 2 notes freely, start with 4 notes in a blowing. After playing 4 notes in a blowing, try to play 8 notes in a blowing. Gradually you can play 8 notes in a blowing. Afterwards you play one line in one blowing. Later, you try to play 2 lines in one blowing. If you play this regularly, you will start to have enough power to play 5 lessons in one blowing. It will take sometime to play perfectly.
ADVANTAGES:THIS IS THE ONLY LESSON WHICH GIVES EVERYTHING IN PLAYING FLUTE.
1.CONTINUITY:IN THE BEGINNING, it will be a problem to play many notes in one blowing. But time goes on, you will get that. After this lesson, you can play about 100 notes in one blowing.2.once you concentrate on the blowing to play very long, automatically,the speed picks up. You will play very fast without strain. You will get fluency in fingering.3.this lesson is arranged in such away that you have to apply different force for different notes, the control over your blowing develops.
After this lesson, surely,you will be coming very close to music.


. Practise the above dattuvarisai atleast for 50 times and mail me back for any doubt.
!
k.t.dasarathy

Top Notes

TOP NOTES
1 2 3 4 5 6 7 8
*
Sa cl cl op op op op cl op


*
Re cl op op op cl cl cl op



*
Ga op op op op cl cl cl op



*
Ma op cl cl cl cl cl cl op



*
Pa CL CL OP OP OP CL OP OP

CL= CLOSE


OP= OPEN

Base Notes

BASE NOTES
1 2 3 4 5 6 7 8 8
1. Sa cl cl op op cl cl cl o


2. Ne CL CL CL OP OP OP CL O
*


3. Da CL CL CL CL OP OP CL O
*


4. Pa cl cl cl cl cl op op o
*



5. Ma cl cl cl cl cl cl op o
*



6. Ga cl cl cl cl cl cl cl o

Jandai varisai

JANDAI VARISAI:
*
1. S S R R G G M M P P D D N N S S

* *
S S N N D D P P M M G G R R S S
* *


2. S S R R G G M M R R G G M M P P

G G M M P P D D M M P P D D N N

P P D D N N S S S S N N D D P P

N N D D P P M M D D P P M M G G

P P M M G G R R M M G G R R S S


3. S S R R G G R R S S R R G G M M

R R G G M M G G R R G G M M P P

G G M M P P M M G G M M P P D D

M M P P D D P P M M P P D D N N

P P D D N N D D P P D D N N S S


. . . .
S S N N D D N N S S N N D D P P

N N D D P P D D N N D D P P M M

D D P P M M P P D D P P M M G G

P P M M G G M M P P M M G G R R

M M G G R R G G M M G G R R SA.

Basic lessons in flute-sarali varisai

SARALI VARISAI IN HARIKHAMBOJI.


1 S R G M P D N S S N D P M G R S

2 S R S R S R G M S R G M P D N S

S N S N S N D P S N D P M G R S

3 S R G S R G S R S R G M P D N S

S N D S N D S N S N D P M G R S

4 S R G M S R G M S R G M P D N S

S N D P S N D P S N D P M G R S

5 S R G M S G R M S R G M P D N S

S N D P S D N P S N D P M G R S

6 S R G M P M G R S R G M P D N S

S N D P M P D N S N D P M G R S

7 S R G M R P M G S R G M P D N S

S N D P N M P D S N D P M G R S

8 S R G M S M R G S R G M P D N S

S N D P S P N D S N D P M G R S

9 S R G M S R M G S R G M P D N S

S N D P S N P D S N D P M G R S

END OF SARALUI VARISAI.

PRACTISE EACH SARALI VARISAI ATLEAST FOR 20 TIMES IN HARIKAMBOJI
HARIKAMBOJI
AROHANAM S R2 G2 M1 P D2 N1 S

AVAROHANAM S N1 D2 P M1 G2 R2 S.

ALL NOTES ARE OPEN NOTES ONLY.

APARTMENTS FOR SALE OR RENT

The cost of apartments in chennai,bangalore and other metroploitan towns are ssteadily increasing at an alarming rates.even the rentals for apartments in these cities are abnormally high.it is high time,the governments at the helm of affairs step in and bring measures to control this trend

CONTACT DETAILS OF FEW OF MY STUDENTS OVEREAS

CONTACT DETAILS OF SOME OF MY STUDENTS OVERSEAS

1.SUDARSAN T KUMAR CA = 813-732-2842
2BEEPAK PODLAPALLI MI- 1-248-787-3255
3.SATYA NARAYANAN NJ - 201-291-7816
4.SUJEET AKULA WI =1608 215 3789
5.KARTHICKSARPATWARI CA=814-360-2467
6.REETASH DESAI NEWZEALAND=00642102735469
7.SUNIL VISWANATH VA= 703-803-3921
8.KARTHICK SURI CA =sktruth@yahoo.co.uk
9.AGANATHAN MAISTRY,TAIWAN=886-9253-55663
10.ARUN KUMAR IL =312-474-2370

lesson no 1-basic fingerings in flute

Blow whole 1 2 3 4 5 6 7 8


Flute Lessons on Carnatic Music: cl = close the hole.
h.cl = half close the hole.

Lesson No.1 o = open the hole.


You are aware that Carnatic Music is founded on the following 7 swaras (Notes Sabdaswaras)They are:
S R G M P D N
Flutes may have 6 OR 8 holes. You may be playing in any flute. But the basic lessons remain the same.
The Notes in Carnatic Music are as follows:.

FLUTE O O O O O O O O O
Mouth Hole 1 2 3 4 5 6 7 8

To start the fingering first close all the holes. Open simultaneously H.No 4&3 to get the fingering of Sa.


Sa o cl cl o o cl cl cl o
Re1 o cl hcl o o cl cl cl o
Re2 o cl o o o cl cl cl o
Ga1 o h.cl o o o cl cl cl o
Ga2 o o o o o cl cl cl o

Ma1 o o cl cl cl cl cl cl o
Ma2 o cl cl cl cl cl hcl o o

Pa o cl cl cl cl cl o o o

Da2 o cl cl cl cl o o cl o
Da1 o cl cl cl cl hcl o cl o

Ne1 o cl cl cl o o o cl o
Ne2 o cl cl hcl o o o cl o

Sa*(high) o cl cl o o o o cl o



Fingering Chart :

0
1
2
3
4
5
6
7
8
SA
RE1
RE2
GA1
GA2
MA1
MA2
PA
DA2
DA1
NE1
NE2
SA(*)





Before trying to get the blow,you try to practice the fingering of each note atleast 50 times.
After finishing the above exercise, you may try blowing in the following way.

1.place the mouth hole of the flute below the centre point of your lips.
2Hold the flute horizontally like-------------------------------.
3.gently give the blow downwards into the mouth hole.
4.your blow must be very gentle and you should not exert much to get the sound.
5.take a pause for 10 minutes and repeat the above process.
6.you may not get the blow immediately.it took 7 days for me to get the sound.you may develop sensation of head ache,but it is only temporary.
8. in case you do not get the blow even after 7 days, do not get dispirited. You concentrate on fingering exercise as fingering is equally very important.
9. the blow tends to come bit late but once it has come, you are certain to develop faster.
All the very best.

You can also improve your blow as follows.

1. Open all the holes . 2. Place the mouth hole on the lower lip

2. Slowly try to give air down inside the hole.

3. Repeat the above process by first closing hole No.1.Next,

4. Close hole Nos 1 &2, and try blowing.

5. Then close 1, 2 & 3 and repeat the above steps.

6. Like this,you can try by closing one hole after another until you close
all the Seven holes. Afterwards, open one hole after another and blow.

All the very best.
K.T.DASARATHY. ktdasarat99@vsnl.net ktdasarat99

kalaignar TV

One more channel to entertain the entertainment -crazy tamils is coming from shortly.whether this will pose a tough challenge to sun tv or jaya tv remains to be seen
k.t.dasarathy

108 vaishnavite temple

i am collecting the mail ids of all those who have visted more than 100 vaishnavite temples sung by azhwars.please assist me in this project.

k.t.dasarathy

conscience vote

with the arithmetic favouring strongly UPA candidate mrs Prathiba Patil ,let mr.Shekawat resigns from the contest gracefully instead of banking on conscience vote which is a rare commodity in politics.

co-operative bodies elections in tamilnadu

the announcement of elections to the co-operative bodies in tamil nadu is becoming a farce with reports of clashes within the alliance partners of UPA come trickling.AIADMK has done the wise thing by boycotting the elections thereby avoiding bloodshed.AIADMK knows for certain that it will not be allowed to win by the ruling DMK which will employ the same tricks which was employed by AIADMK when it was ruling
k.t.dasarathy

it is gratifying to note that the land prices are crashing.a flat or piece of land upto chengalpattu is no longer within the reach of salaried section.it is high time that the goverment sets in to control massive hike generated in land and flat costs by software professionals.people must also express unity in fighting the unreasonable cost in real estate by shunning to buy at any unreasonable cost.
k.t.dasarathy

the day is not far off when muthia muralidharan will finally overshadow legendary shane warne to become the highest wicket taker in test cricket.muthia's strike rate can only be compared to with that of batting prowess of legendary sir.don bradman.his record may not be unassailable in future but his bowling strike rate will never be eclipsed.
k.t.dasarathy

sabarimala trip

i have gone to sabari mala many times.but for the first time,i had gone thru the periya padhai(long stretch )traversing the hazardous forests and hills with the irumudi on the head.what an experience it was.even people with lot of physical ailments could complete the journey by the grace of lord iyyappa. I with perennial asthmatic problem could finally complete the toughest trip which is very difficult to believe even now.what an experience it had been?
swmiya saranam iyyappa!

k.t.dasarathy

shankar-rehman duo has made it once again.shivaji is now a mega musical hit

r.brinda

flute is the instrument of of Lord Krishna which is the easiest of the all the instrument to learn

k t dasarathy

Smt pratibha patil's election as India's first women president should clear the hurdle in the way of implementing the 33% reservation for women

k t dasarathy

Will shivaji break the record of chandramukhi which is still running and released three years back

k t dasarathy

i am from chennai teaching carnatic flute thru cds,mail attachment lessons,sound files,voice chat lessons to many all over the world.